13,269 Royalty-Free Audio Tracks for "Audio Cassette"

Tracker Chiptune

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Der Liebesbrief. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: The love letter.

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Excelsior Mazurka. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: Excelsior Mazurka.

Bach Fugue in C WTC1 opening bars

.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

.mw-parser-output .commons-creator-table{background-color:#f0f0ff;box-sizing:border-box;font-size:95%;text-align:start}.mw-parser-output .commons-creator-table>tbody>tr{vertical-align:top}.mw-parser-output .commons-creator-table>tbody>tr>th{background-color:#e0e0ee;font-weight:bold;text-align:start}@media(max-width:719px){.mw-parser-output .commons-creator-table,.mw-parser-output .commons-creator-table>tbody{display:block;width:100%}.mw-parser-output .commons-creator-table>tbody{border-right:1px solid #aaa;border-bottom:1px solid #aaa}.mw-parser-output .commons-creator-table>tbody>tr{border-top:1px solid #aaa;display:flex;flex-wrap:wrap}.mw-parser-output .commons-creator-table>tbody>tr>th{border-left:1px solid #aaa;padding:2px;flex:1 1 100%}.mw-parser-output .commons-creator-table>tbody>tr>td{border-left:1px solid #aaa;padding:2px;flex:1 1}}@media(min-width:720px){.mw-parser-output .commons-creator-table{border:1px solid #aaa;border-collapse:collapse;border-spacing:0;padding:5px}.mw-parser-output .commons-creator-table>tbody>tr>th,.mw-parser-output .commons-creator-table>tbody>tr>td{border:1px solid #aaa;padding:2px}.mw-parser-output .commons-creator-table>tbody>tr>.halfwidth{max-width:10em}.mw-parser-output .commons-creator-table>tbody>tr>.fullwidth{max-width:20em}} Wolfgang Amadeus Mozart  (1756–1791)      

Drumbeats in a military style.

Here We Come A-wassailing (title given as "Wassail Song" in the CD notes), a English Christmas and New Year's carol from c. 1850 performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.

Пример звучания GuitarTabulatureSample1.svg

A tapping melody played on an electric guitar. Une mélodie jouée en tapping sur une guitare électrique.

La puce de Moussorgski (1839 - 1881) interprétée par Chaliapine (1873 - 1938)

Мелодия Ev Chistr 'Ta Laou

The Internationale orchestral arrangement 中文：國際歌管弦樂曲

Une quinte pythagoricienne juste (10 secondes) suivie d'une quinte du loup (10 autres secondes). Fait avec Csound.

Italiano: Anonimo: "Al canto del cucù" suonato al sintetizzatore dotato di banco audio Titanic 200 GS 1.2 da 275 MB by Luke Sena, creation time Aug 16, 1998. Strumenti usati: Flauto di Pan SynthVoice Air (coppia di voci eteree) Autoprodotto dall'Utente

Władysław Tarnowski ps. Ernest Buława (1836-1878) „Die Schwalben” („Jaskółki”) – trzecia z pieśni ze zbioru „Cypressen : Fünf charakteristische Gesänge” dedykowanego pani Pauline Viardot-Garcia. Wiedeńskie wydanie przez Bösendorfera nie jest datowane, ale z pewnością zbiór wydano za życia Władysława Tarnowskiego, Hofmeister podaje jako datę wydania całego zbioru sierpień i wrzesień 1872, str. 192. Partytura: Władysław Tarnowski ps. Ernest Buława. Wykonanie: Marcin Tarnowski (M.Tarnowski (talk) 13:38, 4 February 2017 (UTC)), luty 2017. Z podziękowaniem dla Lwowskiej Narodowej Akademii Muzycznej im. М. В. Лисенка (Konserwatorium we Lwowie) za udostępnienie mi partytury.

My version of Down by the Salley Gardens. Originally a poem by W.B Yeats, it has been set to music and performed by many artists over the years. Here I play it on the low D whistle with guitar accompaniment.

Richard Wagner: Parsifal. Act III Good Friday Scene. Gotthelf Pistor (tenor) Parsifal, Ludwig Hofmann (bass) Gurnemanz. Conductor, Karl Muck, Berlin State Opera Orchestra

Mayameya song from Harischandra (1935) Telugu movie

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Die Trompeter des Regiments. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: The trompeter of the regiment.

Rimsky-Korsakov - Scheherazade - 1. Largo e maestoso for Piano solo as transcribed by hmscomp at Musescore - he published his score under Public Domain; played by myself.

Tunes as played with Basuri.

Nederlands: Over Koos J.H. Speenhoff http://nl.wikipedia.org/wiki/J.H._Speenhoff Tekst: http://www.vagalume.com.br/j-h-speenhoff/spotlied-op-de-vrije-vrouwen.html

Italiano: Anonimo: «Mamma mia, dammi cento lire». Versione per sintetizzatore dotato di: un banco audio SGM-V2.01 (235 MB) di David Shan e dello strumento-voce Irina Brochin (14,4 MB) di Papelmedia. VST-E: Glaceverb program Classic Medium STD. Autoprodotto dall'Utente

Italiano: Anonimo: "Addio mia bella addio", canto risorgimentale; versione per orchestra e coro vocalizzato. Autoprodotto dall'Utente con sintetizzatore virtuale più banco SoundFont SGM-V2.01 di David Shan da 235 MB.

Bach Fugue in C WTC1 bars 14-16

The fibonacci sequence in music; first in harmonic intervals, then melodic intervals.

A 1908 Indestructible Records recording of Estillita Waltz by Samuel Siegel (mandolin) and Roy Butin (guitar).

Bambuco - Eje musical Andino Centro-oriental

La Cathedrale engloutie bars 1-2

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Blumen-Polka. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: Flower-Polka.

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Zaječarka. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: Zaječarka.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Song of mine in OGG format, recorded at "Somewhere from out of Sky - The Silent Note HomeStudio" in july 2000 Português: Música de minha autoria no formato OGG, gravada em "Somewhere from out of Sky - o HomeStudio de Silent Note" em Julho de 2000

A rock song by the band Segue.

Nederlands: Adjudant S.P. van Leeuwen componeerde in 1961 voor het regiment de defileermars ‘Toujours en Tête’ (Steeds vooraan). De Koninklijke Militaire Kapel ‘Johan Willem Friso’ speelt de mars, beter bekend als regimentsmars, tijdens belangrijke momenten en ceremoniële gelegenheden.

The Anvil Chorus (Coro di zingari) from act 2, scene 1 of Giuseppe Verdi's 1853 opera Il trovatore

Mohammad Dīn Zākhel - Waro Waro Kēzhda Qadumūna Āshnā

Kamus

R8 Les Paul, slow shuffle

Brummdose

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

The national anthem of Ukraine. Music by M. Verbytsky. Performed by L. Horenko. Українська: Державний Гімн України. Музика М. Вербицького. Виконує Л. Горенко.

Faithe braithe les peîles au Festival Sertchais dé Folk 2011 Bachîn ringing at Sark Folk Festival 2011

Mein Heimatvolk, mein Heimatland